German film scholarship, as noted by critics like Siegfried Kracauer and Walter Benjamin, often emphasizes how cinema can reveal the “hidden mental processes” and the importance of context in shaping individual and collective outcomes. Films that neglect or underestimate context frequently use this as a narrative device to explore the consequences—sometimes tragic—of such oversights.
Kollegenschwein
Der Kollege, the colleague, masculine. Die Kollegin, the colleague, feminine. Das Schwein. The pig, neutral. Kollegenschwein, the colleague-pig. That translation doesn’t really work in English. So what is a Kollegenschwein?
Well, in the German work context it’s a colleague who escalates a conflict between two colleagues or within the team too early, too quickly, too hastily up to the next management level, meaning up to the team-lead.
“Wait, what’s wrong with escalating a conflict to the next level so that that level can mediate and resolve the conflict? That’s one of the things that management gets paid for.” An American would ask that question. And perhaps someone from another business culture. But not someone in the German business context. Because Germans only escalate a conflict as a option of last resort. And why is that?
For one, you never know how the next level management will react, will resolve the conflict. It could be an outcome much worse that continuing to attempt to work things out amongst yourselves.
Gehe nicht zu Deinem Fürst, wenn Du nicht gerufen wirst. A well-known German figure of speech. Translation: Do not go to the nobility running your village-town-territory, if you have not been called to do so.
Secondly, escalating a conflict to the next level in Germany is a sign that you and your colleague were not able to resolve your problems among yourselves, at your working level. It’s a sign of failure.
Third, escalation can be seen by next level management’s peers as a sign that that manager does not have their team under control, that they are not managing the team well. In other words, escalation embarrasses the boss.
A Kollegenschwein is seen as a Petzer, as a tattle-tail, a rat. Petzen, to tattle, to snitch, to squeal. Oink, oink!
All Quiet on the Western Front
Im Westen nichts Neues. (All Quiet on the Western Front, 2022). This Oscar-winning adaptation of Erich Maria Remarque’s novel presents World War I from a German soldier’s perspective. The film meticulously reconstructs the horrors and motivations of war, focusing on the evidence of human suffering, bureaucratic decision-making, and the negotiations leading to the armistice. Its narrative avoids stereotypes and instead seeks to understand the causes and consequences of conflict through detailed, fact-based storytelling.
Baader Meinhof
Der Baader Meinhof Komplex. (The Baader Meinhof Complex, 2008). This film examines the rise of the Red Army Faction (RAF), a left-wing terrorist group in 1970s Germany. Through investigative sequences, archival materials, and a focus on the motivations and societal conditions that led to radicalization, the film reconstructs the circumstances behind the violence. It provides a multi-faceted, evidence-driven exploration of why such a movement emerged.
Das letzte Schweigen
Das letzte Schweigen (The Silence, 2010). A crime thriller where a girl’s disappearance echoes a decades-old unsolved murder. The film follows detectives as they meticulously gather evidence, revisit past testimonies, and reconstruct the sequence of events. The narrative is structured around the gradual revelation of facts, mirroring the German logic of resolving conflict through objective investigation and analysis.
Namibia
Der vermessene Mensch (Measures of Men, 2023). This recent film confronts Germany’s colonial past and the genocide of the Herero and Nama in Namibia. It reconstructs historical events through the lens of a German ethnologist, using documentary evidence and personal testimony to explore the causes and consequences of colonial violence. The film’s structure emphasizes the importance of historical documentation and objective analysis in understanding and reconciling with the past.
“rubble film”
Die Mörder sind unter uns (The Murderers Are Among Us, 1946). This is one of the first German films made after WWII and a classic of the “rubble film” (Trümmerfilm) genre. Set in the ruins of Berlin, it follows a traumatized doctor who discovers that a former Nazi officer responsible for atrocities is living unpunished among the survivors. The film centers on the protagonist’s moral and psychological investigation into the past, piecing together evidence and memories to confront personal and collective guilt. It dramatizes the process of uncovering the truth about wartime crimes and seeking accountability, embodying the German approach of reconstructing causes and circumstances
Deutschland 83 86 89
Deutschland 83 / Deutschland 86 / Deutschland 89: This acclaimed spy thriller trilogy follows a young East German border guard who is sent to West Germany as an undercover spy during the Cold War. The series meticulously reconstructs the political, social, and personal factors driving East-West tensions. Characters constantly seek evidence—through espionage, surveillance, and analysis—to understand motivations and prevent escalation. The narrative emphasizes cause-and-effect and the critical role of information in resolving or escalating conflict.
analysis, truth, causes
German literary themes often mirror the country’s approach to conflict resolution by emphasizing rational analysis, the search for truth, and a deep engagement with the causes and consequences of conflict. This is evident in several ways:
1. Analytical and Evidence-Based Narratives: German literature frequently adopts a methodical, almost investigative approach to conflict. Works often reconstruct the origins and dynamics of disputes, reflecting a cultural preference for understanding “why” something happened rather than simply assigning blame. This mirrors the German mediator’s focus on reconstructing causes and seeking objective evidence.
2. Focus on Structural Causes and Complexity. German literary works tend to explore not just individual conflicts, but also the broader structural, historical, and societal factors that give rise to them. For example, literature from the post-Cold War era and after World War II often grapples with the legacy of violence, the trauma of war, and the processes of reconciliation and rebuilding. This reflects a systemic approach to conflict resolution, where understanding the underlying structures is key to lasting peace.
3. Didactic and Reflective Elements. Many German literary texts serve a didactic purpose, encouraging readers to reflect critically on conflict, violence, and their own roles in society. This aligns with the German tradition of using literature as a tool for public conscience and collective learning, fostering dialogue and self-examination as part of the resolution process.
4. Emphasis on Dialogue and Multiple Perspectives. German literature often presents conflicts through multiple viewpoints, highlighting the importance of dialogue, empathy, and understanding different sides. This narrative strategy supports the idea that resolving conflict requires not just evidence, but also the integration of subjective experiences and perspectives.
5. Transformation and Peacebuilding. Themes of transformation—both personal and societal—are central in German literature. Works frequently depict the journey from conflict to reconciliation, emphasizing the possibility of change through understanding, evidence, and dialogue. This reflects the German peacebuilding approach, which seeks to address root causes and foster sustainable solutions.
Didactics
Many German literary texts have a didactic element, aiming to educate readers about the dangers of unchecked conflict and the value of peace. They often present conflict as a process that can be understood, analyzed, and, ultimately, transformed. This aligns with the German peacebuilding approach, which emphasizes interest reconciliation, addressing structural causes, and creating conditions for sustainable, peaceful development.