Wo Rauch ist, ist auch Feuer. Translation: Where there’s smoke, there’s fire. Meaning: If there are signs of a problem, there must be a cause. This phrase reflects the German tendency to look for underlying reasons and not dismiss evidence or symptoms.
Lindenstraße
Lindenstraße. Overview: One of Germany’s longest-running soap operas, set on a fictional street in Munich. While not strictly a business show, Lindenstraße frequently explores workplace issues, social integration, and professional relationships. The show’s storylines demonstrate how social context—such as cultural background, community ties, and current events—directly impacts professional and personal interactions.
Sitzfleisch
The German concept of Sitzfleisch (Sitz, to sit + Fleisch, flesh) the ability to endure and persist patiently, especially through long or challenging situations – is often reflected in German cultural productions, including film. While not always the direct subject of a specific movie, this value is evident in films that reward viewers’ patience through slow, thoughtful pacing and characters who achieve their goals through endurance and waiting rather than haste. This approach is sometimes referenced in discussions of German political leaders and is a recognizable motif in German storytelling.
obsession with causality
Franz Kafka – Der Prozess (The Trial, 1925). Kafka’s protagonist, Josef K., is arrested and prosecuted by a mysterious authority without ever being told his crime. The novel is a nightmarish exploration of bureaucracy, guilt, and the desperate search for evidence and explanation. While Kafka’s novel ultimately highlights the frustration and impossibility of finding objective evidence in a totalitarian system, it powerfully dramatizes the German obsession with causality, procedure, and the need for rational explanation.
Maria Stuart
Friedrich Schiller – Maria Stuart (Mary Stuart, 1800). This historical drama reconstructs the final days of Mary, Queen of Scots, focusing on the legal and moral evidence that leads to her execution. Schiller’s play is a profound meditation on justice, evidence, and the interplay of personal motives and political necessity—central concerns in German approaches to conflict and resolution.
Fritz Bauer
The People vs. Fritz Bauer (Der Staat gegen Fritz Bauer, 2015): The story of prosecutor Fritz Bauer’s pursuit of Nazi war criminals is told through behind-the-scenes investigation and confidential meetings. The film avoids sensational public hearings, instead focusing on indirect channels and private discussions to resolve conflict and build cases, mirroring the German preference for reducing tension through separation and structure.
investigation and mediation
German movies stand in contrast to the more adversarial and theatrical style of American legal dramas, instead illustrating the German cultural and procedural logic of managing conflict by minimizing direct confrontation and focusing on thorough, impartial investigation and mediation.
procedural not adversarial
In German crime and legal dramas, such as Tatort and the various SOKO franchises, investigations are typically methodical, with suspects and witnesses interviewed separately by police. The process is procedural and avoids dramatic, adversarial courtroom showdowns, focusing instead on careful fact-finding and structured dialogue.
These series collectively demonstrate the German cultural and procedural logic of minimizing direct confrontation in conflict resolution, aligning with the business practice of interviewing conflicting parties separately to reduce tension and facilitate resolution.
Namibia
Der vermessene Mensch (Measures of Men, 2023). This recent film confronts Germany’s colonial past and the genocide of the Herero and Nama in Namibia. It reconstructs historical events through the lens of a German ethnologist, using documentary evidence and personal testimony to explore the causes and consequences of colonial violence. The film’s structure emphasizes the importance of historical documentation and objective analysis in understanding and reconciling with the past.