This paper delves into Zhuangzi’s three modes of discourse—dwelling words, double-layered words, and goblet words—highlighting their relevance to his indirect communication strategy. It emphasizes goblet words as central to understanding Zhuangzi’s philosophy and relationship with language, while exploring the use of denial and paradox as significant elements of his communication style. The analysis reveals the structural depth and philosophical implications of Zhuangzi’s modes of discourse, advocating for a more nuanced interpretation of his works.