Die Mörder sind unter uns (The Murderers Are Among Us, 1946). This is one of the first German films made after WWII and a classic of the “rubble film” (Trümmerfilm) genre. Set in the ruins of Berlin, it follows a traumatized doctor who discovers that a former Nazi officer responsible for atrocities is living unpunished among the survivors. The film centers on the protagonist’s moral and psychological investigation into the past, piecing together evidence and memories to confront personal and collective guilt. It dramatizes the process of uncovering the truth about wartime crimes and seeking accountability, embodying the German approach of reconstructing causes and circumstances
movies
Twelve Angry Men
Twelve Angry Men by Reginald Rose: This classic play (and its film adaptation) focuses on a jury deliberating the fate of a young defendant. The jurors must sift through the facts of the case and the credibility of witness statements, debating until they reach a unanimous verdict. The story is a direct metaphor for the American conflict resolution style: careful, collective weighing of evidence and testimony before rendering judgment.
rapid, imperfect
Apollo 13 (1995). When an oxygen tank explodes on the spacecraft, NASA’s ground team and the astronauts must make a series of rapid, imperfect decisions to bring the crew home safely. The film highlights how quick thinking, adaptability, and the willingness to improvise are valued over waiting for perfect solutions. The mantra “failure is not an option” underscores the urgency and necessity of fast action.
instinctive decision-making
Sully (2016). Based on the real-life Miracle on the Hudson, Captain Chesley “Sully” Sullenberger makes a split-second decision to land his disabled plane on the Hudson River. The film shows how immediate, instinctive decision-making can save lives, and that reviewing and correcting decisions can come later.
repetitive, patient, routine
With a Little Patience (Türelem, 2007). Although a short film and Hungarian by production, With a Little Patience has been recognized in German-speaking film circles for its meditative style and thematic resonance. The film’s narrative unfolds slowly, focusing on the repetitive, patient routine of an office clerk. The deliberate pacing and refusal to rush action or resolution underscore the virtue of patience, both in daily work and in facing larger, more dramatic events outside the office window. The film’s approach and critical acclaim highlight how patience and waiting can be central to both personal and collective outcomes.
Sitzfleisch
The German concept of Sitzfleisch (Sitz, to sit + Fleisch, flesh) the ability to endure and persist patiently, especially through long or challenging situations – is often reflected in German cultural productions, including film. While not always the direct subject of a specific movie, this value is evident in films that reward viewers’ patience through slow, thoughtful pacing and characters who achieve their goals through endurance and waiting rather than haste. This approach is sometimes referenced in discussions of German political leaders and is a recognizable motif in German storytelling.
Babylon Berlin
Set in 1920s Berlin, this series depicts police and political officials navigating a turbulent era. The main characters often face high-stakes decisions and are shown taking time to gather information, consult with colleagues, and deliberate, even as external events create urgency. The show’s narrative structure rewards patience and careful planning.
self-esteem and identity
The Devil Wears Prada (2006). The movie portrays a young assistant (Anne Hathaway) under a demanding boss (Meryl Streep). Feedback is often harsh and personal, affecting the protagonist’s self-esteem and identity. It highlights how feedback in American workplaces can be emotionally charged and closely tied to personal development.