The Founder (2016). This film tells the story of Ray Kroc and the McDonald brothers. Kroc enters into an agreement with the brothers to franchise their restaurant, maintains constant contact as the business grows, but ultimately finds ways to change the terms and force the original owners out. The movie highlights how agreements can be transactional, with parties reserving the right to alter or exit arrangements when it suits their interests.
movies
Liesbeth and Friedrich
In the series Tannbach (Line of Separation), Liesbeth Erler and her son Friedrich are depicted navigating the aftermath of World War II in a divided Germany. They face intense political and ethical disagreements within their community and families, yet strive to keep personal relationships intact despite ideological divides. The narrative shows characters arguing fiercely about substance—politics, survival, collaboration—but continuing to live and work together as neighbors and family members.
The Edukators
Die fetten Jahre sind vorbei (The Edukators, 2004). This film centers on three young activists who break into wealthy homes to make political statements. The trio often debate and even argue intensely about their ideals, strategies, and personal motivations. Despite heated disagreements, their personal relationships persist, showing how Germans can separate ideological or professional disputes from personal bonds.
Cherry Blossoms
Kirschblüten (Cherry Blossoms, 2008). Though more of a family drama, the film shows German family members dealing with grief, duty, and personal desires. Disagreements about responsibilities and life choices are handled directly and openly, but the underlying relationships remain intact, exemplifying the German approach to direct yet non-destructive communication.
Though more of a family drama, the film shows German family members dealing with grief, duty, and personal desires. Disagreements about responsibilities and life choices are handled directly and openly, but the underlying relationships remain intact, exemplifying the German approach to direct yet non-destructive communication.
Der Vorleser
Der Vorleser (The Reader, 2008). In this adaptation of Bernhard Schlink’s novel, characters confront moral and legal dilemmas in postwar Germany. Courtroom scenes and personal discussions showcase direct, sometimes confrontational exchanges about justice and responsibility, but the characters strive to keep these discussions focused on the issues, not personal attacks.
Fritz Bauer
The People vs. Fritz Bauer (Der Staat gegen Fritz Bauer, 2015): The story of prosecutor Fritz Bauer’s pursuit of Nazi war criminals is told through behind-the-scenes investigation and confidential meetings. The film avoids sensational public hearings, instead focusing on indirect channels and private discussions to resolve conflict and build cases, mirroring the German preference for reducing tension through separation and structure.
investigation and mediation
German movies stand in contrast to the more adversarial and theatrical style of American legal dramas, instead illustrating the German cultural and procedural logic of managing conflict by minimizing direct confrontation and focusing on thorough, impartial investigation and mediation.
hidden mental processes
German film scholarship, as noted by critics like Siegfried Kracauer and Walter Benjamin, often emphasizes how cinema can reveal the “hidden mental processes” and the importance of context in shaping individual and collective outcomes. Films that neglect or underestimate context frequently use this as a narrative device to explore the consequences—sometimes tragic—of such oversights.