Heinrich Mann – Der Untertan (The Loyal Subject, 1918). This satirical novel examines the German tendency toward authority and order. The protagonist’s rise through the ranks is marked by strict adherence to performance expectations and formal evaluations, with little room for personal sentiment in professional interactions.
literature
Wilhelm Meister
Johann Wolfgang von Goethe’s Wilhelm Meister’s Apprenticeship frequently touches on the importance of trust, personal responsibility, and the expectation that promises and agreements are to be fulfilled without external enforcement. Characters are judged by their reliability and ability to deliver on commitments.
Effi Briest
In Theodor Fontane Effi Briest the rigid adherence to social contracts and the consequences of breaking them are central. While not about business, the story reflects the broader German cultural expectation that agreements-whether social or professional-are binding and not subject to renegotiation or casual follow-up.
migration and survival
The Grapes of Wrath by John Steinbeck. In this story of migration and survival, the Joad family’s journey is marked by constant communication, checking in with each other, and following up on leads for work and shelter. Their progress depends on regular updates and ongoing discussions, reflecting the American value of staying informed and aligned as circumstances change.
letters, meetings, dialogue
American literature frequently explores themes of communication, progress, and the pursuit of shared goals, all of which require regular updates and follow-up. Whether through letters, meetings, or dialogue, characters in these works exemplify the American cultural norm of maintaining alignment and clarity through frequent contact.
POSs
The book American Gods by Neil Gaiman, follows the adventures of a man called Shadow as he travels across America. At one point during his voyage, he finds himself stranded in the middle of the Wisconsin, attempting to rent or buy a car.
As it turns out, there is nowhere nearby for him to rent, so he has to settle for buying. In an attempt to find someone willing to sell him a car, he tries talking to a woman manning the till at a gas station:
“Car died a few miles down the road. It was a pieceashit if you’ll pardon my language,“ said Shadow.
‘Pee-Oh-Esses,’ she said. ‘Yup. That’s what my brother-in-law calls ’em. He buys and sells cars in a small way. He’ll call me up, say Mattie, I just sold another Pee-Oh-Ess. Say, maybe he’d be interested in your old car. For scrap or something.’”
Eventually, Shadow meets the brother-in-law, and although he has plenty of money with him, at this point in the story he only needs to drive about 500 miles, so he tries to buy the cheapest car that could take him the full way.
“The piece of shit he chose was a 1983 Chevy Nova, which he bought, with a full tank of gas, for four hundred and fifty dollars. It had almost a quarter of a million miles on the clock, and smelled faintly of bourbon, tobacco, and more strongly of something that might well have been bananas. He couldn’t tell what color it was, under the dirt and the snow. . . The piece of shit had a radio, but nothing happened when he turned it on.”
Nevertheless, despite the poor performance of the vehicle, Shadow was content with his purchase because it was cheap.
Marcel Reich-Ranicki
German literature, film and theater critics are particularly critical. They view everything with skepsis and are therefore considered by Germans – a skeptical people in general – to be more serious, more reliable. One German literature critic labeled a new novel the most impressive of the year, but still gave it four out of a possible five stars.
Marcel Reich-Ranicki was considered the most influential literature critic in today‘s Germany. He was known to tear apart the works of contemporary German writers both in his written critiques and on his television show. Active until 92 years of age Reich-Ranicki remained the most read critic in Germany precisely because of his very high standards of excellence.
Thirty minutes of Reich-Ranicki criticizing books.
“criticism my way”
“I like criticism, but it must be my way.” Mark Twain in his Autobiography
“I don’t mind what the opposition say of me so long as they don’t tell the truth about me. But when they descend to telling the truth about me I consider that this is taking an unfair advantage.” Mark Twain, 1879
Animorphs
In Animorphs, a children’s science fiction series by American author K. A. Applegate, five American teenagers suddenly become aware of a secret alien invasion of planet earth. As the only people with the capacity to stop the invasion, the teenagers decide to form a resistance and fight back. In very little time the characters form a clear chain of command with a specifically designated leader.
At one point during the series the leader leaves for a short period of time. Faced with a sudden mission, the Americans never consider the option of operating on a consensus basis – instead they immediately pick a new leader. Then, even though most of the group disagrees with the new leader’s decisions, everyone follows the decisions, because they were made by the leader.
Additionally, towards the end of the series, the leader is faced with the option of either killing his brother (who is under the control of the invading aliens) or giving the aliens access to extremely dangerous technology. The leader decides to kill his brother, but, fearing how this action will affect the leader’s future decision-making abilities, one of the other members of the resistance stops him. This insubordinate member is immediately reprimanded and demoted.
Ernest Hemingway
Ernest Hemingway, an American author and journalist who won the Nobel Prize in Literature in 1954, once lost a suitcase containing all but two of his manuscripts. The incident occurred when Hemingway was in Switzerland in 1922, before any of his fiction had been published.
The author had met with journalist and editor Lincoln Steffens who wanted to see more of Hemingway’s work, so Hemingway asked his wife, who was in Paris, to bring him his manuscripts. She packed all of the papers that she could find, but while she was waiting for her train at the Gare de Lyon she left her suitcase unattended for a short time, during which it was stolen.
When Hemingway complained about his loss to American poet Ezra Pound, Pound referred to the incident as a stroke of luck. The poet said that when Hemingway rewrote the stories, he would remember all of the good material, but forget all of the bad material. In this way his so-called problem would actually perfect his work.