Thematic Exploration of Detachment: The tradition of professional detachment is also evident in the thematic exploration of roles and identities. Robert Musil’s Der Mann ohne Eigenschaften (The Man Without Qualities) presents a protagonist who is self-possessed and detached, navigating life with a sense of analytical observation rather than emotional engagement. This reflects the German cultural logic of evaluating situations and people based on objective qualities and performance, not personal sentiment.
literature
migration and survival
The Grapes of Wrath by John Steinbeck. In this story of migration and survival, the Joad family’s journey is marked by constant communication, checking in with each other, and following up on leads for work and shelter. Their progress depends on regular updates and ongoing discussions, reflecting the American value of staying informed and aligned as circumstances change.
letters, meetings, dialogue
American literature frequently explores themes of communication, progress, and the pursuit of shared goals, all of which require regular updates and follow-up. Whether through letters, meetings, or dialogue, characters in these works exemplify the American cultural norm of maintaining alignment and clarity through frequent contact.
Yea-sayer Nay-sayer
The Yea-sayer Nay-sayer is a so-called school-opera written by Bertolt Brecht, Elisabeth Hauptmann and Kurt Weill in 1930. Initially it was titled The Yea-sayer, and the plot revolved around the question of whether an individual must be agreeable to sacrificing themselves for the good of society.
In the first version of the piece a boy gives permission for his own execution. After a sting of discussions with students and workers Brecht’s The yea-sayer was modified into a second version, where the yea-sayer is presented in contrast to a nay-sayer.
This nay-sayer calls the blind obedience of the yea-sayer into question. The function of the yea-sayer has seen a variety of literary interpretations; perhaps the most common interpretation being that the character represents the expression of a false obedience with regard to authority and social norms.
Indeed, the term yea-sayer has a negative connotation in the German culture. To be a yea-sayer means to say amen to everything. Not to resist. To accept anything. Better to be a nay-sayer in this case.
Nay-sayers may be more complicated and unpleasant for those around them, but at least they stand up for their own beliefs. An (initial) no could simply be a way of expressing oneself first.
Wilhelm Meister
Johann Wolfgang von Goethe’s Wilhelm Meister’s Apprenticeship frequently touches on the importance of trust, personal responsibility, and the expectation that promises and agreements are to be fulfilled without external enforcement. Characters are judged by their reliability and ability to deliver on commitments.
Effi Briest
In Theodor Fontane Effi Briest the rigid adherence to social contracts and the consequences of breaking them are central. While not about business, the story reflects the broader German cultural expectation that agreements-whether social or professional-are binding and not subject to renegotiation or casual follow-up.
utmost seriousness
In Thomas Mann’s Buddenbrooks a Lübeck merchant family illustrates the German values of duty, reliability, and the sanctity of one’s word. Business agreements in the novel are treated with utmost seriousness; once made, they are honored without the need for repeated checks or reminders. The family’s decline is partly attributed to deviations from these values, highlighting their foundational importance.
Ernest Hemingway
Ernest Hemingway, an American author and journalist who won the Nobel Prize in Literature in 1954, once lost a suitcase containing all but two of his manuscripts. The incident occurred when Hemingway was in Switzerland in 1922, before any of his fiction had been published.
The author had met with journalist and editor Lincoln Steffens who wanted to see more of Hemingway’s work, so Hemingway asked his wife, who was in Paris, to bring him his manuscripts. She packed all of the papers that she could find, but while she was waiting for her train at the Gare de Lyon she left her suitcase unattended for a short time, during which it was stolen.
When Hemingway complained about his loss to American poet Ezra Pound, Pound referred to the incident as a stroke of luck. The poet said that when Hemingway rewrote the stories, he would remember all of the good material, but forget all of the bad material. In this way his so-called problem would actually perfect his work.
Door-to-Door
Door-to-door salesmen have existed for many years. Although it’s difficult to determine when the first door-to-door salesman made his first pitch, door-to-door salesmen gained a lot of their popularity following the release of Death of a Salesman by Arthur Miller in 1949, and by 1952, two percent of the entire American workforce was comprised of door-to-door salesmen.
Many American children’s organizations encourage children to sell products door-to-door in order to allow the children to gain important sales experience. The Boy Scouts of America, an organization aimed at teaching young boys certain values, skills, and self-reliance, encourages its members to sell popcorn, and the Girl Scouts of America, the equivalent of the Boy Scouts, but aimed at young girls, encourages its members to sell cookies.
In the time following the advent of telemarketing and emailed advertisements, door-to-door sales declined considerably. However, these days, with strong anti-telemarketing bans and better-designed spam filters for email, many American companies are returning to using door-to-door salespeople to sell their products.
Many telecommunications companies prefer to use door-to-door salespeople to sell their products. Some modern companies that use door-to-door salespeople include AT&T, Schwan’s Food Company, and ADT Security. In 2010 door-to-door sales was a $28.6 billion industry – a rise from $28.3 billion the previous year.
choices and consequences
Johann Wolfgang von Goethe – Faust. In Faust, the protagonist’s journey is marked by deep introspection and a long process of weighing choices and consequences. Goethe’s narrative emphasizes the importance of reflection and patience before making life-altering decisions, warning against impulsive actions and highlighting the value of allowing time for understanding and wisdom to develop.