Heinrich Böll – Die verlorene Ehre der Katharina Blum (The Lost Honor of Katharina Blum, 1974). This novel tells the story of a woman’s life being destroyed by tabloid journalism and public suspicion. The narrative is structured as a quasi-investigative report, presenting evidence, testimonies, and different perspectives to reconstruct the truth behind the scandal. Böll’s novel is a critique of media sensationalism but also a literary experiment in objective reporting and evidence-based narrative, mirroring the German mediator’s analytical approach.
literature
Maria Stuart
Friedrich Schiller – Maria Stuart (Mary Stuart, 1800). This historical drama reconstructs the final days of Mary, Queen of Scots, focusing on the legal and moral evidence that leads to her execution. Schiller’s play is a profound meditation on justice, evidence, and the interplay of personal motives and political necessity—central concerns in German approaches to conflict and resolution.
The Broken Jug
Heinrich von Kleist – Der zerbrochne Krug (The Broken Jug, 1808). This classic play centers on a village court case in which a judge must determine who broke a jug belonging to a local woman. The entire plot revolves around the careful reconstruction of events, examination of evidence, and the search for truth through witness testimony and logical deduction. The play is a brilliant satire of the judicial process, but at its core, it exemplifies the German logic of conflict resolution: reconstructing causes, scrutinizing evidence, and striving for objective truth, even as human flaws complicate the process.
obsession with causality
Franz Kafka – Der Prozess (The Trial, 1925). Kafka’s protagonist, Josef K., is arrested and prosecuted by a mysterious authority without ever being told his crime. The novel is a nightmarish exploration of bureaucracy, guilt, and the desperate search for evidence and explanation. While Kafka’s novel ultimately highlights the frustration and impossibility of finding objective evidence in a totalitarian system, it powerfully dramatizes the German obsession with causality, procedure, and the need for rational explanation.
All Quiet on the Western Front
Im Westen nichts Neues. (All Quiet on the Western Front, 2022). This Oscar-winning adaptation of Erich Maria Remarque’s novel presents World War I from a German soldier’s perspective. The film meticulously reconstructs the horrors and motivations of war, focusing on the evidence of human suffering, bureaucratic decision-making, and the negotiations leading to the armistice. Its narrative avoids stereotypes and instead seeks to understand the causes and consequences of conflict through detailed, fact-based storytelling.
POSs
The book American Gods by Neil Gaiman, follows the adventures of a man called Shadow as he travels across America. At one point during his voyage, he finds himself stranded in the middle of the Wisconsin, attempting to rent or buy a car.
As it turns out, there is nowhere nearby for him to rent, so he has to settle for buying. In an attempt to find someone willing to sell him a car, he tries talking to a woman manning the till at a gas station:
“Car died a few miles down the road. It was a pieceashit if you’ll pardon my language,“ said Shadow.
‘Pee-Oh-Esses,’ she said. ‘Yup. That’s what my brother-in-law calls ’em. He buys and sells cars in a small way. He’ll call me up, say Mattie, I just sold another Pee-Oh-Ess. Say, maybe he’d be interested in your old car. For scrap or something.’”
Eventually, Shadow meets the brother-in-law, and although he has plenty of money with him, at this point in the story he only needs to drive about 500 miles, so he tries to buy the cheapest car that could take him the full way.
“The piece of shit he chose was a 1983 Chevy Nova, which he bought, with a full tank of gas, for four hundred and fifty dollars. It had almost a quarter of a million miles on the clock, and smelled faintly of bourbon, tobacco, and more strongly of something that might well have been bananas. He couldn’t tell what color it was, under the dirt and the snow. . . The piece of shit had a radio, but nothing happened when he turned it on.”
Nevertheless, despite the poor performance of the vehicle, Shadow was content with his purchase because it was cheap.