The Devil Wears Prada (2006). The movie portrays a young assistant (Anne Hathaway) under a demanding boss (Meryl Streep). Feedback is often harsh and personal, affecting the protagonist’s self-esteem and identity. It highlights how feedback in American workplaces can be emotionally charged and closely tied to personal development.
movies
group performance
Die Welle (The Wave, 2008). Context: A high school teacher conducts an experiment to demonstrate the appeal of authoritarianism. Illustration: The feedback given by the teacher to students – and among students themselves – remains focused on behavior and group performance, not on individual personalities. The film explores the consequences of depersonalized, performance-based evaluation in a group dynamic.
fragile mother
Good Bye, Lenin! (2003). Context: A son tries to protect his fragile mother from the truth about the fall of the Berlin Wall. Illustration: Although the film is comedic and emotional, scenes involving hospital staff, government officials, and bureaucrats consistently show feedback and communication that is formal, factual, and impersonal, especially in professional contexts.
deeply personal
9 to 5 (1980). Three women, frustrated by their sexist boss, band together to improve their toxic workplace. The feedback they receive – dismissal, condescension, and lack of recognition – is deeply personal and motivates them to take action. Their eventual success is celebrated as both professional and personal vindication.
Diane Krueger
mobil. Magazine of the German Rail. December 2017. An interview with the actor Diane Krüger. Question: “Colleagues for your earlier years claim that you were extremely ambitious. Is it true?”
Krüger: “When I was a little girl my mother never said to me: ‘You’re the best, the greatest, the most beautiful’. Instead all she ever said was: ‘Work harder. You can do better.'”
Der Vorleser
Der Vorleser (The Reader, 2008). In this adaptation of Bernhard Schlink’s novel, characters confront moral and legal dilemmas in postwar Germany. Courtroom scenes and personal discussions showcase direct, sometimes confrontational exchanges about justice and responsibility, but the characters strive to keep these discussions focused on the issues, not personal attacks.
Liesbeth and Friedrich
In the series Tannbach (Line of Separation), Liesbeth Erler and her son Friedrich are depicted navigating the aftermath of World War II in a divided Germany. They face intense political and ethical disagreements within their community and families, yet strive to keep personal relationships intact despite ideological divides. The narrative shows characters arguing fiercely about substance—politics, survival, collaboration—but continuing to live and work together as neighbors and family members.
The Edukators
Die fetten Jahre sind vorbei (The Edukators, 2004). This film centers on three young activists who break into wealthy homes to make political statements. The trio often debate and even argue intensely about their ideals, strategies, and personal motivations. Despite heated disagreements, their personal relationships persist, showing how Germans can separate ideological or professional disputes from personal bonds.
Erin Brockovich
Erin Brockovich (2000): A legal assistant investigates a company accused of contaminating a town’s water supply. The film shows the process of collecting documents, interviewing witnesses, and building a case that combines both objective facts and personal stories. The resolution depends on both documentary evidence and the lived experiences of affected residents, reflecting the American balance of facts and testimony.
Twelve Angry Men
Twelve Angry Men by Reginald Rose: This classic play (and its film adaptation) focuses on a jury deliberating the fate of a young defendant. The jurors must sift through the facts of the case and the credibility of witness statements, debating until they reach a unanimous verdict. The story is a direct metaphor for the American conflict resolution style: careful, collective weighing of evidence and testimony before rendering judgment.