Little Women by Louisa May Alcott. The March sisters’ growth is closely tied to feedback from family, friends, and mentors. Jo, in particular, responds emotionally to feedback on her writing and work, viewing it as a reflection of her personal worth and aspirations.
literature
“I won’t accept this prize“
In 2008 leading literary pundit Marcel Reich-Ranicki was supposed to receive the German television award for his life’s work. Reich-Ranicki also came to the awards show and listened to the laudation by Thomas Gottschalk. However, in his thank-you address he had little thanks left for the award that he a just been presented with.
Instead, he explained, that he had already received many important prizes in his life, and that it had never been difficult for him to say thank you. But today, he was “in a very horrible situation“, as he was forced to “somehow react” to the prize which he had received, and was asked to be “not too harsh”.
“I don’t want to offend anyone. No, I don‘t want to do that. But I would just like to come out and say that I will not accept this prize. If the prize had come with money I would have given the money back, but it didn’t come with money. I can only fling this object […] away from me, or throw it at someone’s feet. I cannot accept it! And I also found it terrible to have to suffer this event for five hours.”
Reich-Ranicki’s speech left his audience perplexed. During his speech the cameras continued to capture shocked expressions amongst the members of the audience, here and there and embarrassed grin, a few laughs. Reich-Raniki was bold enough to call the German Television award, which many of the attending actors and producers used to sing their own praises, ‘rubbish’. Freely and without restraint. Controversial. Typical Reich-Ranicki.
Marcel Reich-Ranicki
German literature, film and theater critics are particularly critical. They view everything with skepsis and are therefore considered by Germans – a skeptical people in general – to be more serious, more reliable. One German literature critic labeled a new novel the most impressive of the year, but still gave it four out of a possible five stars.
Marcel Reich-Ranicki was considered the most influential literature critic in today‘s Germany. He was known to tear apart the works of contemporary German writers both in his written critiques and on his television show. Active until 92 years of age Reich-Ranicki remained the most read critic in Germany precisely because of his very high standards of excellence.
Thirty minutes of Reich-Ranicki criticizing books.
unwavering objectivity
Siegfried Lenz – Deutschstunde (The German Lesson, 1968). In this novel, the main character’s father is a policeman who enforces rules and regulations with unwavering objectivity, regardless of personal relationships. The story explores the consequences of prioritizing duty and performance over personal feelings, reflecting the German value of separating the personal from the professional.
composure and impartiality
Modernist and Post-War Literature: German literary modernism and post-war literature frequently highlight the tension between emotional involvement and the need for objective, rational behavior-especially in the aftermath of social and historical upheaval. These works often depict characters struggling to maintain professional composure and impartiality, reinforcing the value placed on detached, performance-focused feedback.
entirely uninterested
Franz Kafka – Der Prozess (The Trial, 1925). Kafka’s portrayal of bureaucracy and impersonal authority highlights the cold, rational, and often emotionless nature of institutional feedback and evaluation. The protagonist is judged and processed by a system that is entirely uninterested in personal circumstances, focusing solely on procedural and performance-based criteria.
reasoned discourse
Thomas Mann’s essays, especially his Deutsche Ansprache. Ein Appell an die Vernunft (German Address. An Appeal to Reason), explicitly champion the idea of rational, objective debate as a cornerstone of German culture. Mann’s literary and public works often reflect his belief that German identity is rooted in a tradition of reasoned discourse, even in times of personal or national crisis. His approach exemplifies the separation of the personal (identity, emotion) from the professional or civic duty to engage in rational debate for the common good.
Doctor Faustus
In this reimagining of the Faust legend, the protagonist Adrian Leverkühn’s life as a composer is marked by a strict separation between his artistic (professional) pursuits and his personal relationships. The narrative delves into the costs of such compartmentalization, reflecting broader themes of German culture and intellectual life.
These novels use family, business, and societal settings to highlight the German tendency to address professional or ideological matters directly, while striving to keep personal relationships unaffected by such disputes.
no personal sentiment
Heinrich Mann – Der Untertan (The Loyal Subject, 1918). This satirical novel examines the German tendency toward authority and order. The protagonist’s rise through the ranks is marked by strict adherence to performance expectations and formal evaluations, with little room for personal sentiment in professional interactions.
detachment
Characterization and Emotional Distance: Works like Thomas Mann’s Doctor Faustus use characters such as Adrian Leverkühn to embody a distinctly German form of emotional restraint and detachment. Leverkühn is portrayed as a brilliant but emotionally distant figure, unable to connect personally with others. This detachment is interpreted as a facet of the German character, emphasizing performance, discipline, and the suppression of personal feelings in favor of professional or artistic achievement.