The Catcher in the Rye by J.D. Salinger. Holden Caulfield’s interactions at school and work are colored by how feedback affects his sense of self. When teachers, peers, or employers critique his performance or attitude, Holden takes it personally, reflecting the American tendency to link feedback on work with personal identity.
Esther Greenwood
The Bell Jar by Sylvia Plath. Esther Greenwood’s experiences in the workplace and as an intern are shaped by feedback from supervisors and colleagues. Praise boosts her confidence, while criticism is felt as a personal setback, illustrating the emotional impact of feedback and the intertwining of personal and professional spheres.
reflection of personal worth
Little Women by Louisa May Alcott. The March sisters’ growth is closely tied to feedback from family, friends, and mentors. Jo, in particular, responds emotionally to feedback on her writing and work, viewing it as a reflection of her personal worth and aspirations.
Stasi
Das Leben der Anderen (The Lives of Others, 2006): Context: Set in East Germany, this film follows a Stasi officer tasked with surveilling a playwright. Illustration: The Stasi’s internal culture is characterized by unemotional, objective reporting and evaluation. Feedback about performance is delivered in a cold, formal manner, with little regard for personal feelings. The film’s tone and dialogue reflect a clear separation between professional duty and personal emotion.
deeply personal
9 to 5 (1980). Three women, frustrated by their sexist boss, band together to improve their toxic workplace. The feedback they receive – dismissal, condescension, and lack of recognition – is deeply personal and motivates them to take action. Their eventual success is celebrated as both professional and personal vindication.
mentor-mentee
The Intern (2015). Ben (Robert De Niro), a senior intern, and Jules (Anne Hathaway), a young CEO, develop a close mentor-mentee relationship. Feedback is delivered with empathy and care, and both characters grow personally and professionally through their interactions. The film highlights how feedback is tailored to the individual and is meant to support both performance and personal well-being.
emotionally charged
Jerry Maguire (1996). After a moral crisis, sports agent Jerry Maguire (Tom Cruise) is fired for his ideals but finds new purpose by building genuine, personal relationships with his clients. Feedback from clients and colleagues is emotionally charged and transformative, showing how professional evaluation in America is inextricably linked to personal values and identity.
affects lives and emotions
Up in the Air (2009). This film centers on a corporate downsizer (George Clooney) whose job is to fire employees. It poignantly explores the emotional vulnerability of those receiving such feedback and the human side of corporate decisions, emphasizing how feedback – especially negative – deeply affects individuals’ lives and emotions.
self-esteem and identity
The Devil Wears Prada (2006). The movie portrays a young assistant (Anne Hathaway) under a demanding boss (Meryl Streep). Feedback is often harsh and personal, affecting the protagonist’s self-esteem and identity. It highlights how feedback in American workplaces can be emotionally charged and closely tied to personal development.