Spectacular was the interaction between Chancellor Helmut Kohl and SPD-Chairman and former Chancellor Willy Brandt on May 12, 1985 after elections in the state of Northrhine Westphalia.
It was a ZDF (Second German Television) discussion and debate about the results which then, however, turned into an argument between Kohl and Brandt about national topics, including German-American relations.
“You’re hurting the German people with these lies”, Brandt screamed while smacking the table with his hand. “I cannot accept this!”
Kohl, sitting right next to Brandt, remained calm: “You can yell and scream at your employees in the SPD, but not here with us in front of the German people.”
Germany. Election night 2005. Chancellor Schröder against the challenger Angela Merkel. German television. The heads of the major parties are present to discuss the results, including Schröder and Merkel.
The moderator addresses Schröder with Herr Bundeskanzler. Schröder grins and says with a touch of irony: “How nice it is for you to address me so.” The moderator is taken aback: “Have you already conceded defeat?” Schröder: “No, absolutely not.”
Gerhard Schröders behavior on that September 18, 2005 remains unique in German television history. It is 8:15 p.m. and Schröder’s SPD and Merkel’s CDU are neck and neck at 34% and 35% respectively.
Schröder acts, though, as if he has won handily. siegessicher, siegestrunken – sure of victory, triumphant – were the terms later used by the German media. Schröder went on the attack against Merkel on live television: “There is a clear loser, and that very clearly is Merkel.”
Six years later Schröder looked back on that evening and explained to the German people in an article in the Welt am Sonntag what his motives were. His thinking was “there is now no room for diplomacy. This is the moment of truth.”
But it is not true, Schröder continued, that on that evening he thought the election results could swing in favor of his SPD. The Chancellor admitted that “a little humility would have been better.”
Christoph Waltz, an Austrian who often makes jokes about Germans in a rather gratuitous way, puts Jimmy Fallon to the test with a quiz on the definitions of long German words, like Bezirksschornsteinfegermeister.
YouTube comments:
“For non German speakers: The reason our words are so long is that you can basically string as many words as you want together and it would still count as long as it makes sense.”
“Can we just appreciate Waltz’s unwillingness to go along with Jimmy’s horrid fake laugh? He just stares at jimmy until he stops lol. An absolute icon.”
“You know you’re German when you don’t think the words are long at all.”
Tatort (since 1970). Context: Germany’s most iconic and long-running police procedural. Illustration: Police officers and detectives routinely evaluate each other’s work, discuss cases, and give feedback in a direct, matter-of-fact manner. Criticism and praise are focused on investigative results and adherence to procedure, not personal attributes.
In aller Freundschaft (In All Friendship). Context: A long-running hospital drama. Illustration: Doctors and nurses provide feedback to each other about medical decisions, teamwork, and patient care. Assessments are clinical and objective, reflecting the real-world culture of German healthcare where performance is evaluated separately from personal relationships.
Stromberg (2004–2012). Context: A satirical workplace comedy (German adaptation of “The Office”). Illustration: While the show is comedic and its main character is often inappropriate, much of the humor comes from the contrast between German directness in feedback and the awkwardness of mixing personal and professional spheres. The series lampoons, but also highlights, the expectation that feedback should be about work, not personality.
Deutschland 83 / Deutschland 86 / Deutschland 89: This acclaimed spy thriller trilogy follows a young East German border guard who is sent to West Germany as an undercover spy during the Cold War. The series meticulously reconstructs the political, social, and personal factors driving East-West tensions. Characters constantly seek evidence—through espionage, surveillance, and analysis—to understand motivations and prevent escalation. The narrative emphasizes cause-and-effect and the critical role of information in resolving or escalating conflict.
Lindenstraße. Overview: One of Germany’s longest-running soap operas, set on a fictional street in Munich. While not strictly a business show, Lindenstraße frequently explores workplace issues, social integration, and professional relationships. The show’s storylines demonstrate how social context—such as cultural background, community ties, and current events—directly impacts professional and personal interactions.
A well-known German television series that illustrates the logic of allowing the nature of a decision to determine its timing-and not succumbing to internal or external pressures-is Charité. Set in Berlin’s renowned Charité hospital during the late 19th and early 20th centuries, the series follows doctors, researchers, and nurses as they navigate medical, ethical, and personal dilemmas.
The show frequently depicts medical professionals taking the time necessary to thoroughly investigate symptoms, conduct research, and debate the best course of treatment, even when under pressure from hospital administration or societal expectations. Major decisions-such as adopting new treatments, responding to epidemics, or balancing innovation with patient safety-are portrayed as requiring patience, rigorous analysis, and collective deliberation.
The narrative often contrasts the careful, methodical approach of the Charité staff with the urgency of external crises, highlighting the belief that good outcomes depend on resisting haste and respecting the complexity of each decision. Charité exemplifies the German cultural value that patience and thoughtful timing are essential for sound decision-making, especially when the stakes are high and external pressures are strong.
This award-winning spy thriller follows a young East German soldier recruited as a spy in West Germany during the Cold War. The series highlights the slow, strategic nature of intelligence work, where decisions are made only after extensive analysis, weighing risks, and considering long-term consequences rather than yielding to immediate political or military pressures.